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                <text>Mirage yearbook spread about Trinity art professor Robert Tiemann.</text>
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                <text>Mirage Yearbook</text>
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                <text>Mutt Cubist Rejection Show </text>
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                <text>Flyer for the Mutt Cubist Rejection Show</text>
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                <text>Norman Avila</text>
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                <text>UA0510 Norman Avila Papers</text>
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                <text>Special Collections and Archives, Coates Library, Trinity University</text>
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                <text>April, 1976</text>
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                <text>"Art presents a dilemma"</text>
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                <text>In this article featured in the August 24, 1978 edition of the San Antonio Express, Robert Tiemann reviews an exhibition by Rolando Briseno and David Elizondo at the San Antonio Museum of Modern Art. He calls both men "conceptual artists" and proceeds to describe their exhibitions. Tiemann is critical of both men's work while also providing praises. Tiemann categorizes both of their work as conceptual art and notes at the end of the article that in the end he finds conceptual art lacking compared to other high quality painting and sculpture. </text>
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                <text>Contemporary art, SAMOMA</text>
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                <text>This item may be protected by copyright law (Title 17, U.S. Code). It may only be used for noncommercial educational and scholarly purposes. Please contact Special Collections and University Archives at archives@trinity.edu to inquire about permission to use a specific digital resource.</text>
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        <name>Robert Tiemann, Ronaldo Briseno, David Elizondo</name>
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                <text>Con Safo Artists</text>
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                <text>Photograph of members of Con Safo ca. 1972. Members are unidentified in the photo. </text>
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                <text>Con Safo, Chicano Movement, Chicano art</text>
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                <text>Unknown</text>
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                <text>Mel Casas Papers, 1963-1998, Box 2, Folder 15, Folders and Slides of Mel Casas, 1970s, 1972-1977, Archives of American Art, Smithsonian Institution. </text>
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                <text>Special Collections and Archives, Coates Library, Trinity University</text>
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                <text>This item may be protected by copyright law (Title 17, U.S. Code). It may only be used for noncommercial educational and scholarly purposes. Please contact Special Collections and University Archives at archives@trinity.edu to inquire about permission to use a specific digital resource.</text>
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                <text>"'Modern Art' finds a home in new museum"</text>
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                <text>Article featured in the January 28, 1977 edition of the Trinitonian providing a brief summary of the beginning of SAMOMA with a focus on the questions of what is modern art and how SAMOMA was breaking the mold. The article includes quotes from Don Evans and George Horner.</text>
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                <text>SAMOMA, contemporary art</text>
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                <text>Special Collections and Archives, Coates Library, Trinity University</text>
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                <text>Sally Jean Smith</text>
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                <text>This item may be protected by copyright law (Title 17, U.S. Code). It may only be used for noncommercial educational and scholarly purposes. Please contact Special Collections and University Archives at archives@trinity.edu to inquire about permission to use a specific digital resource.</text>
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        <name>Norman Avila, Don Evans, George Horner</name>
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                <text>"Artists suggest better ideas for San Antonio sites"</text>
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                <text>Article featured in the July 18, 1982 edition of the San Antonio Express discussing a small sampling of the ideas within the Site Specific Exhibit at the Charlton Gallery—the latest project by the people involved in SAMOMA, now known as the "Museum Without Walls." Includes a small history behind the Museum Without Walls concept and then includes various proposals by the artists in the exhibit.</text>
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                <text>July 18, 1982</text>
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            <name>Subject</name>
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                <text>SAMOMA, contemporary art</text>
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                <text>San Antonio Express</text>
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                <text>NewsBank</text>
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                <text>Special Collections and Archives, Coates Library, Trinity University</text>
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                <text>Lillian Thomas</text>
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                <text>This item may be protected by copyright law (Title 17, U.S. Code). It may only be used for noncommercial educational and scholarly purposes. Please contact Special Collections and University Archives at archives@trinity.edu to inquire about permission to use a specific digital resource.</text>
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        <name>Gene Elder, Don Evans, Norman Avila, Naomi Shihab Nye, Susan Monday</name>
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                <text>Article featured in the 1982 edition of the Mirage Yearbook about the evolution of the Trinity Review into a publication that includes "essays, critical works and debates, as well as poetry and prose." The articles also mentions that editor Sherri Hough expanded the sources for the Review to people outside of Trinity University.</text>
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                    <text>Thesis Presented to the Faculty of Trinity University on The Good Samaritan Center Early Childhood Bilingual Education Program. </text>
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                    <text>Carol Wright Smith</text>
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                    <text>Trinity University Theses Collection</text>
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                <text>Thesis presented to the Faculty of Trinity University on The Good Samaritan Center Early Childhood Education Program.</text>
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                <text>SAMOMA's 1st Multiple Box</text>
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                <text>Photograph of a screen-printed cardboard box labeled SAMOMA's 1st Multiple with signatures of 21 artists.</text>
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                <text>Norman R. Avila Papers</text>
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